Music Theory Level IX
Theory
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Diatonic Triads
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Major Keys
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Minor Keys (all forms of minor scales)
2. Cadences
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Authentic
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Half
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Plagal
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Deceptive
3. Non-Chord Tones I
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Passing Tone
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Neighboring Tone
4. Form III: Theme and Variations Form, Menuet and Trio Form
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5. Genre III: Concerto, Symphony
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6. Musical Period IV: Romantic (1820-1900)
Composers IV: Schubert, Brahms, Schumann, Mendelssohn, Chopin, Liszt, Tchaikovsky
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7. Terminology V
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A Capella
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Alla Breve
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Affetuoso
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A Piacere
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Dolente
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Ossica
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Perdendosi
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Piacevole
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Sotto Voce
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Vibrato
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Ear Training
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Melodic dictation: Complete the melody. The key signature, time signature, bar lines and first note are given. All rhythmic values up to sixteenth notes will be presented.
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Identify the triads you hear. Major, minor, augmented and diminished triads in root position, first inversion and second inversion will be presented. You must specify the inversions.
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Intervals: Identify the intervals you hear. Major, minor, perfect and tritones within one octave are presented. The examples will be played melodically either ascending OR descending.
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Cadences: Identify the cadences you hear. Authentic and plagal cadences will be presented.
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